April 30, 2010

Newface Madness @ Cat Model Management Berlin

As we got the opportunity to help out with some editorial productions for a new magazine (stay tuned for updates on that one!) and working on another project which is going to be released on Digital Diamonds in 2-3 weeks with - PLUS currently working on some up-coming interviews with very important mother agents, there has been a little silence in the past days. So, sorry for that!

But as for today, we'd love to provide you a small introduction entry on the following Newfaces of CAT Model Management Berlin.


Let's start with Victoria - as we're always a bit biased when it comes to redheads (always in their favour!), this stunner might be our favourite out of all Cat-signed newbies. Standing at 172cm, she might lack a bit of height, but awesome propotions & her intense yet withdrawn expression certainly make up for that. Curious about her body? You can see one full length image in HQ on our new tumblr account here.




Second girl to watch from the Cat company: Sophia - first thing to ring a bell - her resemblance to Toni Garrn and Vanessa Hessler.
Well, Vanessa's appearance at Prada made up for her absence of the high fashion market so, if things go equally good for Sophia, we can expect her to get some decent options and hopefully a promising feed-back from major fashion-capital based agencies, soon!




Last girl to be featured is Lisanne -
with both, an impeccable silhouette of 83-60-89
and a height of 181cm, this girls measurements are close to perfect. Delicate features with some freckles to underline her overall girly-appearance, only seem to complete that perfect image of a classic-beatuy. Her last name is 'van Maanen' - which sounds quite Dutch to us.... so, for more infos about Lisanne and the rest of Cat's girls - stay updated!






Find out more about Cat Model Management on blog.catmodelmanagement.com! They're also looking for some scouts based in Berlin and surrounding area, just apply!

April 27, 2010

Interview: Brian Keith (Photographer)
















New York City, Miami, Paris... these locations are certainly some of the most coveted - and not only in the fashion industry. Calling them "your home" is probably a dream for many of us. So, our next interview-partner is probably envied by quite a lot of people (well, beside the fact that there are so many other things one could admire anyway when taking a look at his portfolio...) Fashion photographer Brian Keith has already achieved a great amount of high class work in the past -you can count work for Cosmopolitan, Qvest, New York Times Magazine, GQ or ads for L'Oreal among that- and assisted for actual "legends" such as Bruce Weber. No wonder that also Harper's Bazaar noticed this brilliant artist and awarded him a prize in their Talent Search. With his own book coming up (stuffed with goodies of his personal work), Keith's career is rising to another level. And even more promising high fashion-work of a true talent should be expected. Read our interview with him below.


April 24, 2010

UPDATE: Tumblr/Facebook/Twitter

Jumping on the bandwagon - and with the purpose to keep this site a bit more "clean" (not putting interviews and further posts in the rear) - we created a Tumblr account in order to provide you all of our future polaroid-collections and snapshots of Newfaces there from now.

So don't miss to follow us on there aswell and also have a look at our Twitter and Facebook group to be updated with all of our news!

Tumblr

Twitter


Facebook






Newface Madness @ Place

After we introduced PMST's and Modelwerk's future-model-stars-in-the-making, we are now keen to show you that Place Models (Hamburg, Germany) has plenty of up-coming diamonds on their development board aswell. The following girls might not yet have achieved what other Place girls like Iris Strubegger (who just shot the Karl Lagerfeld campaign after a stellar runway season), Vanessa Hegelmaier (this season e.a. at Missoni in Milan and Louis Vuitton in Paris) or Isabel Neumair (top commercial girl) have got under their belts, but they are on a good way to score some great deals - just as Katarina Friedrich who's in the April issue of Vogue Italia photographed by Greg Kadel and exclusively opened the Moschino RTW Fall 2010 show in Milan.

So, take a look at the Place-signed newbies now - of whom we'd defenitely not be suprised to see them following the steps of Iris & Co.

Viktoria (174cm / 82 60 89)












 








Katharina F (178cm / 85 60 89)























Inken B
(177cm / 83 62 89)























Isabelle R
(174cm / 80 60 89)























Anastasia
G (178cm / 85 60 89)























Alex S
(180cm / 86 60 90)























Isabelle S (178cm / 86 60 90)























Irene A
(178cm / 86 62 90)

April 22, 2010

Interview: Civiles Management


Civiles is a production and model management company based in the heart of Argentinia: Buenos Aires. Leaded by agency director Picky Courtois, Civiles provides a great diversity of models - from tomboy-esque girls like Eugenia Vidal or Carla Gebhart to high end beauties such as Luciana Marinissen (rather well known in the 90s) or Newface Yesica Novarino. And Picky offers a great selection of male models aswell, as the name Nicolas Ripoll (who opened and closed the Prada Fall Show exactly one year ago and has meanwhile head prestigious apperances in magazines like Dazed Confused, Wallpaper, Vogue Homme and Velvet) should ring a bell in all of our minds by now. We're definitely anxious to see how the latest discoveries @ Civiles will do, during the following seasons, and are very pleased to give you a little insight in the agencies' working processes, the Argentinian market (plus some news on Carla Gebhart) now:


How did you get in the agency business?
Around 2000 I was working as assistant for a photography and fashion production agency. I started to stop people that I found interesting down the street to do some tests without any kind of projection. Those tests ended up in hands of Levi’s and they called me to hire one of those finds. Then other jobs in fashion and advertising started to come. And there immediately appeared the offer of an agency in Paris to take some of their on stay models.

What makes your management stand out against other agencies?
The main difference lies in our identity, which makes Civiles much more than a Model-Agency. It is a brand that includes multiple projects: we are a graphic production company, a trend seminar and a talent department. In each area we work on the premise of respecting human values and integrity. That is the way we treat our models, allies and clients, and that is also how we project us into the market.


Regarding collaborations with international agencies - with whom do you work together?
In Paris we work very well with Viva, Ford, City, Bananas and Success. In Milano, with Why Not, Major and D’Men. In London we work with Models 1, Storm and Select and in New York with Wihelmina, DNA, Ford, Major, One and Click.

What can you tell us about your local market in Buenos Aires?
Advertising is one of the most outstanding disciplines in Argentina. It generates a lot of money and jobs. During the year lots of international projects are developed here. The level of the production and realization is great. The on stay models work a lot. Based here, they work with professional partners in Brasil, Chile & Perú.

What are actually the key/slot bookings for a model to get into the business in the best way possible; high end campaigns, prestigious runway exclusives or high profile covers?
Without any doubt, prestigious fashion shows generate great editorials and the option for the campaigns. That was what happened recently with our top models Carla Gebhart for Balenciaga and Nicolas Ripoll for Prada and a lot more.


How much of a model’s career is based on luck and how much does a carefully developed management count?
Luck only works at the moment when the model is discovered and accepted by the right manager. From that moment on, it is all a matter of hard work. As happens in every field, the model must become a good professional to make the business be constant.

Do you know right away if a model “has it”? Has there ever been a girl that you weren't fully convinced of but she proved you totally wrong in the end?
I can feel if a model “has it”. But what I can not do is telling if he or she is actually going to succeed in the business. Besides beauty, a model needs to have lots of other features to succeed: interest, intelligence, personal support, dedication, etc. I was always sure that each model that Civiles chose could do it. Fortunately, many of them did it even better than how I expected they would, and that is great.

There have been many controversies about models being too young, etc. What do you think is the best age to get started in the business?
Civiles is really careful with the respect for the natural processes of growth of every model, so that they have no pressures. I think that eighteen is an appropriate age to make serious decisions about their career. Except a few cases, under that age they are not completely developed and the business pressure can confuse or disturb them.


We all know that commercial girls are the truth money grabbers in this industry, at least for short-term. What makes the high fashion division interesting to you, then?
High fashion division is really good money, as good as commercial. The only problem is that it is not that easy to find out new faces with the conditions that this level requires. Especially in Argentina, where women are in general shorter that Europeans.

You're known for having an eye, how do you find your models?
We make scoutings in every single part of Argentina. We have a working alliance with modeling schools and with production companies from all over the country. We also have scouters that go over big concerts, schools, discos and malls. The search is constant and it can be done at anywhere and in the most unusual way.

What is your development process for New Faces?
The first thing we do is improving their look: hair, position and other details. Then we make photographs every day until they get trained and then the promotion begins. We show them to Editorial Photographers, to Brand Managers and to agencies from Paris and NYC. As soon as the first options appear, the new face is ready to become a success.


As model agent & manager, what is the most important role you need to do in order to help your models succeed?
My greater commitment is building trust with every single person I work with. To my models I am a coach, a brother, a father and a friend. I seek to be a reference point, a kind of professional and emotional guide. I help them to understand the market and its movements, and to know the field where they are going to be for several years. The most important thing is teaching them how to use their heads.

As we are obsessed with Carla Gebhart, who quickly became our season's face, can you tell us what she has in store for us?
Carla is studying in Cordoba, her native town. Her priority is finishing school. We have to be very careful with her agenda so that we can have her available for the next season of fashion shows. That is why we rejected offers from Vogue UK, Vogue Italy and Numéro.
Anyway, we assure that you will be able to see her in one of the best campaigns of the next seasson.


In the end: Who are your most promising diamonds?
Our upcoming star is called Juliana Rossa. She is based in Paris, New York and Milano, and she is about to be the new Argentinian diamond. She is nineteen years old, 1.78 mts. tall and is the favourite of Sonia Rykiel, Marithé & François Girbaud and Limi Feu. In the other hand, next September, in a working alliance with the agency Viva from Paris, we are going to place Lorena Lenz into the business. She is another great promise.

April 17, 2010

News Update on: Carla Gebhart















































Our friends from Civiles Management (Buenos Aires) just spoiled us with a little polaroid update on their latest discoveries and, of course, their very own rising star Carla Gebhart. So we couldn't be any happier to receive these litereally flawless snaps. Something we love about them is the fresh yet intruding vibe emanating from Carla. It's actually the same we said about Mia Temirova (Elite New York) quite a while ago: prominent features that don't seem exactly "easy to get" at the first sight, but totally work in an overall harmony with the rest of her face.

Having her major breakthrough season in February (walking for Burberry, Prada, Balenciaga and Chanel among others), her motheragent told us that we'll see this Argentinian stunner in a major campaign quite soon.

Read next week on Digital Diamonds: The interview with Picky Courtois - agency director of Civiles!


Interview: Bradford Gregory (Photographer)



Now, look at the pic above just once again. Could you tell us: is it an outtake from an ed? A backstage shot? A simple test? Well - we leave the decision up to you but if there's one thing we can assure, then it's the fact that this question will pop up again and again when looking at more of Bradford Gregory's shots beneath. There's a certain mood in each one of them - a mood which doesn't seem to be created by the model herself, but emanates from the lense of the photographer. Something very special. And certainly worth a feature! We had the pleasure to ask the NY-based talent some questions:


Could you tell us a little about yourself and how you got into photography?

I got really into photography while traveling for a year and just shooting random cool stuff in Japan, Thailand, etc. After that I got into photographing friends while living in San Francisco and then started doing some agency tests out there. Then I moved to New York where I currently live. I took a couple of college photo courses a long time ago but I've learned way more from just from just shooting.

Photographers are often told that they need to develop a personal style to set them apart. What would you say sets you apart?
I feel weird describing my own work - I guess it's best to let the photos speak for themselves. But I would say I'm able to get a certain type of connection. I like it to be natural, intimate, poetic, and evocative. There is definitely something I go for as far as a vibe.



Are there any photographers that have influenced your career?
I'm actually really inspired by music, film, and other stuff more than other photography. But I like a lot of photographers. Sometimes I avoid looking at their work b/c I don't wanna be too subconsciously affected. My older brother is an architectural photographer and he helped me find my first camera at a pawn shop.

What would be your dream (magazine) to work for?
Any of the Vogues.

Which camera do you work with?
I've always liked old 35mm SLRs such the Canon AE-1. I still mostly shoot film. I'll probably be shooting more digital soon for the convenience. I used to be into medium format with a Mamiya 645.



In general, during a session, how many pics would you say you take to find "the right one"?
I'm kinda slow and deliberate about it in general so I don't take as many as a lot of people. But sometimes if something looks really amazing I'll shoot faster.

How do you decide on locations & subjects?
Depends on the weather, what the light will be like. I really love the last hour of the day, the golden hour. I'm into parks, apartments, beaches, backyards, hotels, the street, etc.

Before a shoot, do you talk to the model you are going to shoot with and try to make a connection? Or do you rather wait and then get inspired by her actions in front of the camera?
I say just chill out, be yourself. I keep it mellow. I've mentioned that it's nice to have a range of emotion/mood. If someone is expressive I let them do their thing.



Do you rely on lighting (natural, or artificial), or do you rely on dark-room/computer manipulation? What do you think about airbrushing pictures by photoshop etc.?
I almost always work with natural light. That is a major inspiration for me. The way sunlight falls on a person. Photoshop is great for making little fixes but I'm not super into it. It's more challenging and fun to see what you can do in camera.

You cross art photography, commercial and editorial – is there one you enjoy most?
No, I just love to shoot.

Is there anyone recently who you’ve photographed that’s particularly impressed or surprised you?
I shot last month with this new girl at Ford in Miami named Shaughnessy. I was basically the first to ever shoot with her and we got some cool stuff.

For you, what is the most challenging aspect of being a professional photographer?
Just moving forward with the way I want to do it and capturing the way I see things - doing that over and over to the point where you are very happy with it. That's challenging. I always wanna feel like I'm progressing.



From the recent polaroid feature on Digital Diamonds, who among them would you love to photograph and why?
Isabelle looks confident and connects well with the camera in her polaroid so that would probably work out well.

If you could choose one model to shoot with (from any decade) who would you want to have in front of your lense?
Laetitia Casta

April 13, 2010

News Update on: Charlotte @ Modelwerk














































Modelwerk literally delivers new suprises everyday: Last week Anne Sophie Monrad in the Spring 2010 Nina Ricci ads, yesterday the news about Charlotte being in the latest issue of Italian Amica and today her new polaroids.

Since we mentioned Charlotte (who is -next to her motheragents @ Modelwerk- represented by Joy in Milan and Marilyn in Paris) in the "NewfaceMadness@ Modelwerk" feature recently, we cannot deny we've been totally excited to see what this stunner has in store for us (and there is something quite decent to come up, indeed!)

April 10, 2010

Interview: Sadie Newman @ Ford NY



Hundreds of new girls try their luck with modelling each new season. Trying to leave their mark in the industry, impressing clients and photographers. And as we all should know by now: the beginning is tough. One of these Newfaces: Sadie Newman @ FM agency in London. What sets her apart from the remaining hundred girls? Well, apart from a mention in Vogue UK as a "Face to watch" and her shot in Marieclaire alongside Burberry's master, Christopher Bailey (well, even if she didn't walk for his show this season - it's never bad if you get to know the most important clients in the industry) Sadie's beauty is exactly what seems to be in demand at the moment: classic and pure. Her fragile features speak for themselves: Tiny lips, pale skin and dark hair - this combo already worked out for Coco Rocha (a comparison that Sadie should hear quite often). After starting out in the business with getting signed by Ford in NY, doing some smaller shows during Fashionweek and working for Mags like Dazed & Confused in Korea or Nylon, Sadie is now ready for the real big things to come. Stay tuned! And in the meanwhile: read our little interview with the British stunner:

April 8, 2010

News Update on: Madisyn Ritland @ Women















































As if the whole placement restructurings at NYC based agencies during the last weeks weren't yet enough, also Madisyn Ritland got rid of Silent Paris' worldwide exclusive treatment and joined
Women Management in NYC (Note: Silent is still her Paris based agency). Definitely not a bad decision. Madisyn (who was never one of those super overexposed girls btw) did maybe not walk every but at least a great number of the most prestigious slot shows - from Rodarte and DKNY in NYC, to Marni and Dolce & Gabbana in Milan and finally Kenzo in Paris this Spring.

We are sure that some decent print work is going follow and Madisyn (176cm//5'9.5 feet) will prove her outstanding abilities once again.

April 3, 2010

Interview: Natalie Joos (Casting Director)

Streetstyle shot via streetpeeper.com

The right styling, the best and most flattering lightning, a certain vibe throughout the whole editorial-theme/ fashionshow..... all of these things are decisive for a designer to present his masterpieces in the best way possible. But what is even more crucial: the right model-choice.
"Hand-picked" girls by the designers themselves are rare these days and therefore, the profession of a casting director became more and more important. And among Russel Marsh, Maida & Rami or Kannon Rajah, Natalie Joos is doing an awesome job - always being spot on with her choices (for fashion shows like VPL and Yigal Azrouel, magazines -take Vogue Nippon or i-D as an example- and also a-list campaigns like Hugo by Hugo Boss). A model-cast can give a completely different atmosphere to a show. It can give benefit to the clothes. And it can make a deep impression on the audience. It can give a picture exactly the feeling and mood it needs (essential for a campaign!). And Natalie certainly manages to create this accurate feeling. Therfore, we are more than honoured to present you our interview with her now:

April 2, 2010

News Update on: Anne Sophie Monrad


National-pride is important. And one girl who certainly makes us proud of Germany is Modelwerk's Anne Sophie Monrad (Modelwerk is her motheragent) - as we've rarely been so fascinated by a "homegirl". Standing infront of the Ford office in NY for her new set of digitals, Anne is leaving a lasting impression on the market. And is proving us both once again, her versatility and -for everybody who followed Anne Sophie's career from the first polaroids- her remarkable improvements. The snapshots could not have been made up any better, as summery flower-dresses work enormously well on Nordic girls and Anne, who actually has Danish roots, therefore literally carries the flower child vibe.

Is there anybody who could resist her? Might be, but Antonio Marras, Vogue Italia, Marie Claire, Numero Tokyo, Wolfang Joop (Wunderkind) and Lula Magazine definitely couldn't. And all we are waiting for now, is seeing Anne Sophie finally hitting the jackpot in all fashion capitals next season.

April 1, 2010

Interview: Naomi Preizler @ Next























It's official - we're sold. Absolutely and 100% sold on Argentinian models. There has never been a nation we've made so bright experiences with. And after having the pleasure to interview Tati Cotliar, the Marc Jacobs opener from Buenos Aires, we now got the opportunity to talk to a further Argentinian (new)face - Naomi Preizler. Naomi was one of the very few newbies starting off fashion week in Paris this season, which makes booking shows not easy as casting directors rather consider New Faces they were working together with in previous cities (NYC, London & Milan). Another fact: the importance of Paris fashion week involves super selective, almost "supermodel" castings, which makes Naomi's appereances at Givenchy, Vivienne Westwood and Barbara Biu (Maida & Rami cast) absolutely prestigious.
What makes Naomi so interesting is by far not only her look; this girl has general knowledge and a point of view which totally disproves the stereotype of "stupid & narcissistic models". Have a look at our latest Q & A about plus sized models, Egon Schiele, art exhibitions and finally her plans for the future!